Japan Folklore: Versailles no bara, the best-selling manga
photo credit: nefariousreviews.com
In 1972, Riyoko Ikeda created what became the manga and, later, the most famous anime of all time: “Versailles no Bara” (ベルサイユのばら, The Roses of Versailles, known in Italy as Lady Oscar). The talented mangaka, whose meticulous and elegant style has come to stand out and be considered the Shōjo Teacher, had to face her own publisher before seeing her published idea. The publisher was in fact convinced that a biographical manga starring Marie Antoinette could bore readers. Riyoko Ikeda undertook to prove otherwise and in May 1972 the first instalment of “Versailles no Bara” appeared on Shukan Margaret issue number 21, published by Shūeisha, on a weekly basis for a total of 82 episodes ended in 1973.
Between 1972 and 1974, 15 million copies were sold, thus electing Riyoko Ikeda as the queen of the historical manga.
photo credit: supereva.it
The history of the roses of Versailles and the wind that swept over them
In the last years of the Ancien Régime, the young Marie Antoinette of Austria was promised to marry the French dolphin, Luigi Augusto, nephew of Louis XV but his cousin, the Duke of Orleans plotted to kill him and usurp the throne. At the head of the Royal Guard was Oscar François de Jarjayes, a young noblewoman raised by her father, General De Jarjayes, as if she were a boy because he wanted a male heir. Alongside Oscar was a young attendant, André Grandier, nephew of the housekeeper of the Jarjayes family, to whom the General had entrusted the task of serving and protecting her. Covering her role, Oscar foiled many plots that aimed to kill the two princes, thus leading to being esteemed and considered a friend by Marie Antoinette. The capricious future queen, escorted by Oscar at a ball court, met the Swedish count Hans Axel von Fersen, of whom both women fall in love.
At the death of the King, Marie Antoinette and Louis XVI became sovereigns of France and, since the slander on a presumed relationship between Fersen and the Queen did not take long to spread, the count abandoned the country to avoid scandal and enlisted in support of the revolutionaries of America. Marie Antoinette, more and more unhappy and lonely, allowed herself to be influenced by the Countess of Polignac, an ambitious woman who became her favourite and urged the queen to squander money in frivolity. After a few years, the Count of Fersen returned to France and inevitably went back to Marie Antoinette, who, unable to control her feelings, was on the verge of a scandal. Once again the count left the country and the queen, following the birth of the heirs to the throne, decided to move away from the life of the court and retire with her children in the Petit Trianon, arousing the hatred of the high nobility. In the meantime, the famous “Deal of the Necklace” broke out, which threw the first shadows on the public reputation of the queen. Shortly after, Fersen returned from America and during a court ball, Oscar showed up in disguise dressed for the first and only time as a woman but, dancing with Fersen, realized that she could never replace the queen in the heart of the Swedish count and she decided it was probably better to live forever like a man. Following the case of the Black Knight and the further attempt to discredit the royal family in the eyes of the nobility, Oscar abandoned the command of the Royal Guard obtaining from the queen the post of commander of the French Guards regiment of Paris. André, despite being rejected by Oscar after declaring her love, he remained by her side anyway.
General Jarjayes realized that he had made a mistake in allocating his daughter to a military career and began to wish that she would marry, so the second of Oscar in the Royal Guard, Girondel, made her a marriage proposal, but Oscar did not accept, preferring her new soldiers and attempts to earn their respect. The French revolution was at the door: Oscar, who understood to love Andrè, sided with him on the side of the people and together died during the riots of the storming of the Bastille July 14, 1789. The years of the revolution lasted until Marie Antoinette’s execution on the guillotine on October 16, 1793.
photo credit: romaspettacolo.net
One series is not enough!
Twelve years after the mother series, Riyoko Ikeda decided to publish a 4-episode miniseries entitled Versailles no bara gaiden (The Roses of Versailles – Gothic Stories) whose protagonists are Oscar, Andrè and the little Loulou de La Lorencie, Oscar’s niece. The episodes narrated are placed between volumes 7 and 8 of the original manga. In 1987 Eikō no Napoleon-Eroika (栄光のナポレオン-エロイカ, The glorious Napoleon – Heroic) also appeared as the official sequel, whose title “Eroika” refers to the third symphony of Ludwig van Beethoven, dedicated to Napoleon. These 12 volumes narrate the events of Napoleon immediately after the French Revolution: his empire, the Italian campaign, the campaign of Egypt, the battle of the Nile, the coup d’etat of the 18th Brumaire and the French invasion of Russia. in the course of the narration, some of the already known characters will reappear, but only through flashbacks.
In 2006, Riyoko Ikeda decided to take the pencil again to create “Berubara Kids”: an amusing reinterpretation in coloured stripes in which the characters of Versailles no Bara reappear in “chibi” version in key scenes. The small parody was published weekly on “Be”, a supplement of the newspaper “Asahi Shimbun”.
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Roses die in beauty
The fascination of Versailles no Bara pushed many musicians to reinterpret the famous “Bara wa utsukushiku chiru” original song of the anime, but Riyoko Ikeda recognized the LAREINE version with license. The first CD came out on October 1, 1998 and in limited number of copies: only 500 with serial number of which the first 4 were owned by the members of the group. Fortunately, in 1998 it was re-edited and Bara wa utsukushiku chiru officially became the fourth single of the band. On February 9th 2000 the most valuable CD edition was released, containing only two audio tracks in which Riyoko Ikeda herself participated as a soprano singer and took care of the graphic design, also designing the costumes of the band for the music video.
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