Takeda Design Project, design in your daily life

The Takeda Design Project of the Takeda company is a total innovation in the world of metals and how they can be used in everyday life, directly from the prefecture of Niigata.
The designers who are engaged in this project want to use the quality of metals by transforming them into objects with refined shapes.

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Technology, progress, convenience, and speed in use, these are the goals that Takeda Design Project wants to pursue. Thanks to the knowledge of the various designers and their experience in metalworking, the final product has a definitely innovative and absolutely unique appeal. We are often looking for something that can be comfortable and beautiful to see and show, right? The answer to all of this is Takeda Design Project!

Even the machines with which these products are born are the latest in the field, faster with a saving in manpower and efficiency increase. Welding and cutting machines, the best in production that are born from what customers want thanks to careful market research.

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Takeda Design Project products

Let's take a look at these products and you will realize their uniqueness.

PRIMARIO/ Loupe series

The aluminum lens illuminates the object thanks to the natural light that comes from the three large arches and has the perfect design for reading.
This idea of PRIMARIO is to reduce the materials to the absolute limit and despite this, they know how to satisfy the set goals. The feeling is of robustness, brilliance, elegance, and practicality.

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However, this is not just a beautiful design object to look at, but it's also the winner of the German Design Award as excellent product design stationery.

TOPTION/CALEN-BAR

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A special and original calendar. Have you ever thought of giving one as a gift? Now you can finally find it! Because the designer Yukimasa Hirota has designed this product based on the themes of "disposable" and "attachment". Many times the calendar becomes part of the furniture and therefore I am very sorry to throw it away at the end of the year. For this, the TOPTION/CALEN-BAR is reusable, so it can remain part of our affections forever!

ALIGN LINE: card stand & pen tray

Straight lines in the design to outline a vital state. Can you be organized with elegance and beauty? Of course, these are the feelings and emotions contained in the design.

MiLLi SECOND

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It is an aluminum meter created to be kept easily (and elegantly) between your fingers. The three holes on the edge and its beauty make it possible to have multiple uses. You can choose whether to use it as a coil, keyring, object holder or even pendant.
A thousandth of a second. A single moment. Something that will attract you precisely in this space of time. This is the idea with which this product was born and you will realize it even more by seeing it live, touching it, experiencing it.

Takeda Design Project, a super awarded group

The products that are proposed by Takeda Design Project, have already had many positive feedbacks, as well as winning very important awards! Do you want to know them all?

MiLLi SECOND Metal Major

  • "Minister of Economy, Trade and Industry Award" in the Tsubame Industrial Design Contest 2015 (Japan)
  • Stationery Prize 2015 Design group Grand Prix (Japan)
  • Winner of the iF Design Award 2016 (Germany)
  • Nomination for the GERMAN DESIGN AWARD 2017 (Germany)

PRIMARIO/ Loupe series

  • Winner of the GERMAN DESIGN AWARD (Germany) excellent product design stationery

Takeda Design Project, the Design that was missing. You can find Takeda Design Project creations at TENOHA & | SHOP in via Vigevano 18, Milano.


MANAKA, the marriage between tradition and modernity.

Feeling the Japanese tradition and living it in our days, this is MANAKA. A brand that uses traditional technologies for the present day, so that posterity can also have the honor of experiencing the history of Japan.

MANAKA

Now that the world is running fast and everything is a fusion of various cultures, MANAKA wants to preserve and bring true Japanese taste to life and let all those who really love Japan wear this. Each dress has a soul, the soul of Japanese designers and craftsmen. A soul that wants to show itself and speak today by telling what Japan was, what it is and what it will be. Each work is not static, but has a life, a movement. MANAKA is art in motion. As Imortant as all of this is, it should actually be screamed, instead however everything is told with an all-Japanese elegance and education, a desire that is born with Producer Yukiko Yamanaka.

Art in motion

MANAKA is a name that we can now see worldwide. From the exhibitions at the Italian Triennale Art Museum, from Taiwan and Singapore to the diplomatic events of the 80th anniversary in Paraguay, in South America and during demonstrations at TEDX in Hong Kong. MANAKA is also worn by the finalists of Miss Universe Japan and World Supermodel. In fact, these dresses not only underline their beauty but give an atmosphere and a particularity that other brands can hardly give. Even the media have not remained indifferent. MANAKA has in fact appeared in big media names including Toyo Economic online, Tokyo Business Today, "DiGJAPAN!" of Shobunsha and TOKYO FRONT LINE, and these are just a few examples.

MANAKA at the Salone del mobile 2020

After receiving the coveted award at the World Supermodel Production 2019, we will be able to attend the presentation of the new MANAKA Phoenix Kimono dress at the Salone del Mobile 2020 in Milan! An opportunity not to be missed, not only because you can admire the wonder of the kimono fabrics originally dyed in the Kobayashi Somekoubou laboratory of the town of Tango, in Kyoto but also a dress that perfectly represents Japan and its tradition. You cannot miss this opportunity, enjoy the vision of this MANAKA kimono dress at the Salone del Mobile 2020!

Collaboration between MANAKA and KOBAYASHI SOMEKOUBOU

Fabric but also dye. The MANAKA Phoenix Kimono dress is special for various reasons. Let's go into more detail.

Silk as a fabric is very important, but MANAKA wanted to make the Kimono Phoenix dress even more special and unique! For this reason, the brand started a collaboration with a laboratory in Tango (Kyoto), famous for its fabrics and for its ability in dyeing silk with over 35 years of experience. All this creates the "Tango-Chirimen" and the original fabric of the MANAKA clothes is treated with the "Tango Blue" dyed by the hand of Tomohisa Kobayashi. Thanks to this collaboration, MANAKA has decided to produce kimono and kimono-poncho clothes.

MANAKA MANAKA

It is probably the first "Tango Blue" fabric in the kimono sector and this is the first time that this fabric has been used for a dress. As we said at the beginning, tradition and modernity together.

"Tango Blue" is the infinite and unique color of the Tango ocean, north of Kyoto, a tint with a level of robustness greater than 4 which, however, can be seethrough, intense and brilliant. The result of a great study and the experience of the Kobayashi Somekoubou studio.

MANAKA clothes in detail

MANAKA MANAKA Phoenix Dress

Monochrome Phoenix Dress, World Supermodel Japan
Model / YUIKO Photographer / Chiaki Oshima

Phoenix Dress, the dancing phoenix

Always synonymous of freedom and movement, here is another work of art that is anything but static, on the contrary, it seems alive. A Phoenix dancing elegantly in the Japanese tradition, with decorations reminiscent of the Phoenix feathers put together in the fabric of the Kimono. The phoenix is the symbol of rebirth and who better than this legendary animal can embody the tradition that comes back to life in a new form? This is one of the feelings with which MANAKA dresses women, making them unique and elegant.

MANAKA

Phoenix Dress red & black
Modella / Hiro Nishiuchi Photographer / Chiaki Oshima

Goldfish dress, goldfish that swim

A work of art in motion, born from the feeling of wanting to wear tradition with a new shape. The elements of the kimono are decomposed and recomposed in a completely new design. When worn, it moves harmoniously, it is something that you can feel as if it was alive and that makes the wearer even more beautiful. The woman's body and its curves are respected and not only! Also exalted in a vortex of delicate movements that convey the burst of Japan's history. You can not remain unnoticed with such a dress, it will surely make you regal and recognizable in any situation.

In fact, you can already see this from the photos, the movement that the elegant folds make on the woman's body. Everything speaks of revisited tradition, of history in our time that we now have the good fortune to wear. This dress was designed and created so that the woman could walk like a goldfish moving its delicate and elegant fins in a river caressed by the wind.

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Goldfish dress
Model / Mayuko Sakurano - Photographer / Chiaki Oshima

Kimono Poncho

This Poncho, it's actually a Kimono brought to new life, with a mix of elegance, tradition and sensuality. In fact, one can only feel special and observed while wearing it. Look at the movements of the fabric and try them on, it will fascinate you with respect and elegance giving you the feeling of living in history.

HEEL GETA Flower & HEEL GETA Kimono Haikara

An outfit is not complete without the right shoes. Tradition must be completely revisited, therefore MANAKA has also thought of the famous Japanese wooden clogs, obviously revisited in modernity. HEEL GETA Flower and HEEL GETA Kimono Haikara are perfectly created with the fabric of the kimono, pure silk and vintage feathers.

Heels and soles are handmade by MANAKA craftsmen one at a time. All this great work and deep feeling to give a soft and feminine silhouette. These shoes are created not only to be spectacular but also to be comfortable and easily adaptable to any foot. Thanks to these special flip-flops that grasp the instep perfectly, we will even forget that they are shoes with heels while we wear them. The Getas are designed to be elegant and make the wearer feel comfortable. It is an elegant comfort to wear, worthy of a Japanese outfit and still alive in the hearts not only of the nostalgic but also of those who love modernity.

MANAKA wants to fascinate your interest in the culture and tradition of the Kimono, this brand wants to give you a dress that can be worn easily and beautifully without the difficulty that once existed.

Harmony, tradition, elegance, movement, life. Here's what moves the ropes of MANAKA! Do you want to see the return of tradition? See it take on a new life? Don't miss this opportunity, MANAKA awaits you at the Salone del Mobile 2020 in Milan with its unique clothes, the Tango Chirimen fabric and the Tango Blue! Also, you can find MANAKA articles at TENOHA & | SHOP, Japan and the Japanese tradition are here!


CARRY THE SUN by Landport

Since we are children we have ever wanted to have some light in the dark with us, to CARRY THE SUN with us. The name says it all, at night, during the day, when we feel insecure, when we are afraid and when we need reassurance. A dream that from Japan becomes a reality and thanks to Landport, on any occasion, we can comfortably have the sun and its light in our pocket or bag.

CARRY THE SUN

The models are varied and adapt to any taste and occasion:

  • A) warm light size S and M
  • B) cold light size S and M
  • C) rainbow light 7 colours (size M)

CARRY THE SUN anywhere, in a tent, on vacation, for an emergency or simply as a gift idea.

In fact, this is an absolutely ECO product in all its meanings, because CARRY THE SUN is ECOlogical, ECOnomical and ECOsustainable. A great energy saving: just recharge it with direct sunlight for at least 8 hours and you will have the real sun with you for 74 hours! In addition, its being light, resistant and washable will make it even more pleasant, it will become a presence that you can no longer live without. We can't go out without a smartphone, also because it could be useful for emergency moments. However, when we need sunlight in the dark of night, what can we do? With this new product, we have it in our pocket or bag, it will become even more indispensable than your mobile phone!

CARRY THE SUN CARRY THE SUN landport

What is more natural than sunlight? That light that pampers us when we are alone when we need help or to see the road ahead of us in emergencies? Or are you looking for a particular and certainly unique gift idea? One of those that will leave people speechless and with the classic expression of amazement in their eyes. Give the light of the sun, CARRY THE SUN from Landport is what you have been waiting for and you can find it in the TENOHA MILANO shop from now on!

 

Details

Official website: https://www.landport.co.jp/ , https://www.carrythesun.jp/
Socials: Official Instagram, Official Facebook
Where to buy: https://www.tenoha.it/shop/


TOKYO TESHIGOTO celebrates the arrival in Milan

Are you ready to experience TOKYO TESHIGOTO in TENOHA MILANO with a special traditional and modern event?

TOKYO TESHIGOTO

TOKYO TESHIGOTO is a project that mixes the skill of the artisans of Tokyo and modern production. Surely you know how rich the traditional Japanese art that was created by Edo craftsmen is and how important it is to transmit it to the new generations. For this TENOHA Milano offers us another trip to Japan to discover the manual works of the masters called "Takumi" and Edo aesthetics. In addition to spreading the Edo aesthetics of "iki" and "inase", the Takumi are challenging new types of Tokyo crafts so that more people can get to know and experience it. You can find all TOKYO TESHIGOTO products at the TENOHA Milano shop, to touch the emotion of the Edo period with your own hands and bring it home.

TENOHA Milano obviously could not avoid celebrating this great news! Don't miss the TOKYO TESHIGOTO launch party! You will feel not only closer to the history of Japan but also enriched by something that normally you could not experience. It will be an extraordinary evening in which tradition is combined with modernity: the history of Japan enriched by the DJ set of Andrea Ratti. What are you waiting for? Do you want to spend one of those special evenings that only TENOHA Milano can organize for you?

Details

All products will be available for purchase from TENOHA & | SHOP

LAUNCH PARTY
When: 25 January from 18.00 to 20.00
Where: TENOHA MILAN - Via Vigevano, 18, 20144 Milan
FREE ADMISSION

OFFICIAL WEBSITE
https://tokyoteshigoto.tokyo/en/

More info:
https://www.tenoha.it/shop/tokyo-teshigoto/


Japan History: Shimazu Yoshihiro

Shimazu Yoshihiro (August 21, 1535 - August 30, 1619), also known as Shimazu Tadahira and Hyogo no kami. Second son of Shimazu Takahisa, he was the 17th Shimazu clan leader.

Shimazu Yoshihiro

photo credits: japanworld.info

He began serving his brother Yoshihisa in many military campaigns. During the battle of Kizaki, the "Okehazama of Kyūshū" in 1572, 300 men of Yoshihiro defeated Itō Yoshisuke's three thousand soldiers. In 1577 he obtained the supremacy of the Shimazu over the province of Hyūga. Later he participated in the battles of Takabaru (1576), Mimigawa (1576), Minamata (1581), and Hetsugigawa (1587).

The life of Shimazu Yoshihiro: From 1587 to 1600

In 1587 he was appointed daimyō following the submission of the Shimazu to Hideyoshi. He later led 10,000 men in the first Korean campaign (1592-93) from his ship Kotaka-maru. During this battle, a number of servants including his brother Toshihisa protested the call to arms and for this, they were punished by Yoshihiro. He then fought the second Korean campaign in the battles of Namwon and Sacheon. With these battles, he kidnapped some Korean potters as prisoners of war. This created a new style of vases called Satsuma-yaki which subsequently increased trade in the province.

Shimazu Yoshihiro

photo credits: facebook.com

During the battle of Sekigahara in the 1600s, according to the novel Rakusuishū of the Edo period, Yoshihiro appears to have been on the side of Tokugawa Ieyasu. Later humiliated by Torii Mototada on arrival at Fushimi's castle, he moved over to Ishida Mitsunari before Mōri Terumoto declared war by persuading Uesugi Kagekatsu to ally with them.

Yoshihiro and Mitsunari

According to his subordinate Kando Kutarō, Yoshihiro was a close friend of Mitsunari. However, novelists of the Edo period distorted reality by saying that Mitsunari had not listened to any of Yoshihiro's plans, including the notorious surprise night attack of the day before the real battle. Instead, that day, Yoshihiro and his 1500 samurai simply presided over their area without a fight. Yoshihiro was stormed by at least 30,000 Ieyasu troops, so he tried many times to get to the same Ieyasu. Yoshihiro retired and his troops simulated a false retreat called Sutegamari when a number of men died repelling the attacks. Toyohisa and most of the troops died allowing Yoshihiro to retire with his wife. He then moved from the province of Settsu to return to the province of Satsuma.

Shimazu Yoshihiro

photo credits: japanworld.info

Shiramine Jun, an important Japanese historian, wrote that Yoshihiro had been involved in the power struggle between Shimazu Yoshihisa and Ijuin Tadamune. In fact, for this reason, Yoshihiro lost the support of Yoshihisa during the Sekigahara campaign.

Ieyasu, noting Yoshihiro's behavior on the battlefield, caused the Shimazu clan to maintain his rule. In fact, he chose Yoshihiro's son Shimazu Tadatsune as his successor. In 1609, Yoshihiro and Tadatsune began a punitive expedition against the Ryūkyu kingdom.
He appears to have fought in 52 battles during his lifetime and was a skilled commander.

The death

Yoshihiro retired to Sakurajima and started teaching the younger generation. He died in 1619 causing the suicide of many of his servants who had joined him for the rest of his life.


TENOHA & | TASTE - GIN DAYS

September is upon us and TENOHA always thinks of how to surprise you.

This time we are offering you another special appointment, one of those you can't miss. A weekend entirely dedicated to one of the most famous spirits in the world: Gin. Also taking advantage of the fact that this is the year of the Gin, enthusiasts and why not, even non-enthusiasts, can enjoy a selection of the best beverages including the three distillates of the Rising Sun:

• KOZUE: distillate of Wakayama prefecture including: Japanese umbrella pine, Unshu mandarin and Sansho pepper.
• KI NO BI: with yellow yuzu from the north of Kyoto prefecture, hinoki wood onions, bamboo, gyokuro tea from the Uji region and green sanshō berries.
• NIKKA: produced by the Miyagiko distillery with Yuzu, Kabosu, Amanatsu and Shikuwasa, Sansho pepper, apple juice, juniper, angelica, coriander, lemon peel and orange peel.

We are sure that Gin enthusiasts will feel in Heaven and the same will happen to neophytes. New lovers of Japanese gin on the horizon!

Obviously, we at Japan Italy Bridge will not miss it. Would you like to join us for a kanpai? We are waiting for you!

When and Where

When: 6-7-8 September
Where: Via Vigevano 18, 20144 Milano
Food & beverage: 15€ aperitivo + gin drink

For more information: https://www.tenoha.it/


Japan History: Kusunoki Masashige

Kusunoki Masashige, (1294 - 4 July 1336) was born in Minato-gawa, province of Settsu, and was a 14th century samurai who fought for the Emperor Go-Daigo in the Genkō war.

Kusunoki Masashige

photo credit: ninja.fandom.com

Much of his early education took place in the Kanshin-ji temple in Kawachinagano, in the south of Osaka, where he later organized major restoration work.

Legend has it that the emperor Go-Daigo had a dream in which he was taking refuge under a camphor tree (the "kusunoki"). This dream brought him to the surname of the warrior who would support him. Indeed, in 1331 Kusunoki joined the emperor Go-Daigo in a revolt to wrest government power from the shogunate, the military dictatorship that had dominated Japan since 1192. Although numerically stronger shogunate troops captured the emperor, Kusunoki fled continuing to use guerrilla tactics.

The capture of Kusunoki near Nara in 1332 proved to be a serious threat to the government. The shogun then concentrated all his forces against Kusunoki. In one of the most famous battles in Japanese history, Kusunoki successfully defended the fortress of Chihaya against the upper shogunal forces.

Kusunoki Masashige

photo credit: davtov2000.blogspot.com

From 1333 to 1335

In 1333, Go-Daigo rewarded Masashige with the governorate of the province of Settsu and the province of Kawachi and promoted him to the fifth degree. Subsequently, he received the appointment on the Records Office and Settlement Board. However, one of the loyalist generals, Ashikaga Takauji, betrayed Go-Daigo and led an army against Kusunoki. Takauji took possession of Kyoto, but only temporarily before Nitta Yoshisada and Masashige forced Takauji to flee. In 1336 Takauji was again a threat to Kyoto.

During the short period following the imperial rule, Kusunoki was governor of the central Japanese provinces of Settsu. The real power in the countryside, however, continued to be held by the great hereditary lords, Ashikaga Takauji and Nitta Yoshisada. The latter openly challenged themselves to obtain the loyalty of minor feudal leaders.

Kusunoki suggested to the Emperor to take refuge on the sacred Mount Hiei and allow Takauji to take Kyoto. This is to allow him to descend from the mountain and, with the help of the monks of Mount Hiei, trap Takauji.

Go-Daigo was not willing to leave the capital and insisted that Kusunoki meet Takauji's forces on the field. Kusunoki, in what would later be seen as the last act of samurai loyalty, accepted obediently. The battle, which took place in Minatogawa, in present-day Chūō-ku, Kobe, was a tactical disaster. There are two reports of the proposal made by Kusunoki Masashige to the emperor Go-Daigo, the Taiheiki and the Baisho Ron, entbe ingorati. One was that they would group together and attack from two sides, the other was that they would take General Takauji back on their side.

Kusunoki's army was only 50 of the 700 knights. According to legend, the last words of his brother Masasue were Shichisei Hōkoku! ("I wish I had seven lives to give to my emperor!") Obviously Kusunoki Masashige agreed.
At his death, his head was sent to Kanshin-ji and buried in a tomb known as Kubi-zuka.

Eboshigata Castle and Ishibotoke Castle were both built along the route of the Koya Kaido, a famous pilgrimage route that stretches between Kyoto and Koyasan. Designed not only to protect the path from bandits, these were also an important source of income as travelers were forced to pay a toll.

From 1335 to the Meiji restoration

In 1335 Go-Daigo sided with Nitta Yoshisada against Ashikaga Takauji. As head of the imperial forces, Kusunoki defeated Takauji's troops in January 1336 and forced him to flee the capital. A few months later, however, Takauji returned to the head of a large army. Kusunoki suggested temporarily withdrawing so he could fight Takauji's forces at a point where the terrain was more favorable. The emperor insisted that Kusunoki meet enemy forces before occupying the capital. In the final battle on the Minato River, near the modern Kobe, Kusunoki fought bravely for many hours. His troops were finally overwhelmed and committed suicide rather than face capture.

His son, Kusunoki Masatsura, served as the emperor's successor, 12-year-old Go-Murakami, in a relationship of mutual trust that reflected the figure of his father Kusunoki and kept the flame of loyal resistance alive.

After the imperial restoration in 1868, a splendid sanctuary was erected on the site of Kusunoki's death. His loyalty to the emperor and his being one of the greatest military strategists in Japanese history, made him a legendary figure. He also received the highest decoration from the Japanese Meiji government in 1880.

photo credit: wikipedia.org

Legend

After the introduction of Neoconfucianism as a state philosophy by the Tokugawa shogunate, Kusunoki Masashige was declared with the emperor Go-Daigo forerunner of the synocentric absolutists. During the Edo period, scholars and samurai who were influenced by neoconfucian theories created the legend of Kusunoki. They consecrated him patriotic hero, with the name of Nankō or Dai-Nankō, incarnation of loyalty, courage and devotion to the Emperor. Kusunoki later became a sort of patron saint of the WWII suicide bombers. His spiritual heirs were those who sacrificed their lives for the emperor.


Japan History: Takeda Shingen

Takeda Shingen (Takeda Harunobu December 1, 1521 - May 13, 1573), firstborn of warlord Takeda Nobutora, was born in the powerful Takeda clan. He was Shugo Daimyo (military governors) of the then province of Kai, present-day Yamanashi prefecture.

Takeda Shingen played a very important role in the battle of Un no Kuchi in 1536, he was only 15 years old. When his father designated his second son as heir, Shingen conducted a coup without bloodshed. This forced his father to retire as head of the clan. Later, Shingen began to expand his family's domains northward into the province of Shinano (present-day Nagano prefecture) and into lands adjacent to Kai.

As the undisputed leader of the Takeda clan, he began his expansionist policy starting with the Battle of Sezawa. He then continued with the sieges of Uehara, Kuwabara and Fukuyo, the battles of Ankokuji, Odaihara, Shiojiritoge, and the Kawanakajima battles series against Uesugi Kenshin.
Shingen decided to have all the warriors in the first lines of his armies wear red lacquered armor to intimidate the enemy psychologically. This idea was also later copied by the Tokugawa army clan.

Shingen

photo credits: japantimes.co.jp

The life of Takeda Shingen

In 1548 Takeda Shingen defeated Ogasawara Nagatoki in the battle of Shiojiritōge and took Fukashi in 1550. Uesugi Kenshin took the field at that time because the Takeda had now reached the borders of his province.
What began was a rivalry that became legendary and that led them to clash in the battles of Kawanakajima. These battles were generally skirmishes, in fact, none of the two daimyō wanted to discover themselves in an all-out battle.

The fiercest battle between the two was the fourth one, during which, according to legend, Uesugi Kenshin managed to break through the Takeda lines and faced Shingen. It is said that Kenshin attacked Shingen with his sword defending himself with his fan (or tessen). Both lost numerous men during the battle. In particular, Shingen lost two important generals, Yamamoto Kansuke and his younger brother Takeda Nobushige.

Takeda Shingen entered the priesthood in 1551, at which time he assumed the Buddhist name Shingen. However, taking religious vows in no way prevented his participation in worldly affairs.

After the fourth battle, Shingen discovered two plots against his life. The first by his cousin Suwa Shigemasa, who was ordered to commit seppuku. While the second, a few years later by his son Takeda Yoshinobu. The latter was exiled to the Toko temple, where he died two years later perhaps by order of his father. After this incident, Shingen appointed his fourth child, Katsuyori as successor to the leadership of the clan.

After conquering Katsurao, Wada, Takashima and Fukuda, in 1554 he returned as many victories in the sieges of Fukushima, Kannomine, Matsuo and Yoshioka.

In 1563, together with Hōjō Ujiyasu, Takeda Shingen conquered Matsuyama Castle in the province of Musashi. Subsequently it obtained the possession of Kuragano in 1565 and of the castle of Minowa. Then he moved against the Hōjō attacking Hachigata castle.
He retired successfully after Hōjō Ujiteru and Hōjō Ujikuni failed to stop him in the battle of Mimasetōge.

Takeda Shingen

photo credits: pinimg.com

Harunobu's main ambition was the submission of Shinano. However, the resistance in that neighborhood was fierce. A number of Shinano warlords, including Murakami Yoshikiyo, Ogasawara Nagatoki, Suwa Yorishige and Kiso Yoshiyasu, made a move designed with the hope to cut off further Takeda aggressions.

The march towards the Kai borders

In April 1542 the four daimyo combined forces and marched towards the Kai border, encouraged by the news that Harunobu was strengthening his defenses and was preparing to take a stand in Fuchu. In fact, Harunobu's activities were a ploy. Far from passively waiting in Kai, Harunobu led his men and took the Shinano warriors by surprise, defeating them at Sezawa.

Encouraged by Sezawa's findings, Harunobu made a trip to Shinano focusing on the territory of the Suwa clan. He first took Uehara in a surprise attack and then moved to Suwa headquarters in Kuwahara, located 2 kilometers to the east. Suwa Yorishige had no choice but to surrender following Harunobu's promise of safe conduct. Yorishige and his brother were taken to Kai where General Takeda, Itagaki Nobutaka, organized their death. Both of them committed suicide.

Takeda Shingen

photo credits: pinterest.it

Harunobu, with the help of Yamamoto Kansuke's strategies, further expanded his territory through the defeat of Tozawa Yorichika and Takato Yoritsugu. The acquisition of the castle of Takato was of particular value. Indeed, it provided a safe stopping area in the south of Shinano, as well as a buffer against any southern aggression.

In 1544 the Takeda marched towards Suruga in support of Imagawa and confronted Hōjō Ujiyasu. No real conflict occurred following this confrontation. Harunobu was in fact forced to enter into a peace treaty between Hōjō and Imagawa.

Over the next decade, Harunobu continued to exert incessant pressure on the Shinano warlords. In 1548 Murakami Yoshikiyo, perhaps the most formidable Shinano enemy of Harunobu, moved to Ueda and defeated the Takeda clan in a bitter battle. Here a number of Chinese arquebuses were used, the first weapons of the genre ever deployed in a Japanese battle. While Uehara's defeat left two of his best generals dead, Harunobu quickly bounced back. In fact, in 1552 the Murakami and Ogasawara clans fled from Shinano to Echigo.

Takeda Shingen vs Uesugi Kenshin

In June and October 1553 the Takeda and Uesugi armies clashed near the Kawanakajima plain in northern Shinano. A clash lasted five times but only the fourth battle produced a wide-ranging race. Both sides suffered heavy losses that slowed both warlords for a few years. In particular, Shingen must have suffered from the loss of Nobushige and Yamamoto Kansuke, both of whom died in the battle.

In 1560 Shingen had discovered a plot against him led by his cousin Katanuma Nobumoto and in 1565 the one organized by his son Yoshinobu and Obu Toramasa. Two years later Yoshinbou died. Legend says that death is due either to illness or, as many believe, because Shingen had forced him to commit suicide. The event left Takeda's servants uneasy.

photo credits: wikipedia.org

In 1564, Shingen had subdued all of Shinano and turned his attention to Kōzuke, where he took a number of castles from the Uesugi clan. For the next five years, he limited himself to raids and local conquests, focusing on internal affairs.
In 1560, Shingen's greatest achievement was the Damji River Damming project. The benefit of the Fuji river project is considered one of the greatest national initiatives of the sixteenth century.

In 1568, Takeda's army was on the move again, this time south against Imagawa. The daimyo of that clan was Ujizane, the incompetent son of the late Imagawa Yoshimoto (killed in 1560 by Oda Nobunaga). Yoshinobu, son of Shingen, had married Ujizane's sister, but after her suicide in 1567, relations between the families had increased. It would appear that Shingen and Tokugawa Ieyasu had entered into an agreement under which the two would divide the remaining lands of Imagawa (Tōtōmi and Suruga). However, this agreement was never completed. Furthermore, Sagami's Hōjō did not see this shift in the balance of power. Because of this, he sent troops to challenge Shingen. In 1569 Shingen responded by invading Sagami and besieging Odawara (the capital of Hōjō). However, on the way back to Kai, the Takeda army managed to crush an attempted ambush by Mimasetoge of Hōjō.

Thus, in 1570, the lands of Takeda included Kai, Shinano, Suruga and pieces of Kozuke, Tōtōmi, and Hida. Shingen, at 49, was now more than a regional power. Takeda Shingen was in fact the most important warlord east of Mino. Moreover, he was the only one able to derail Oda Nobunaga's march to national hegemony. Only Shingen had the strategic position and the armed forces to stop it.

In 1570 the formidable Hōjō Ujiyasu died and his heir, Ujimasa, made peace with Shingen. This was an act that could have ensured Tokugawa Ieyasu final destruction. However, Shingen died in 1573 sending the plans into smoke.

The Takeda clan allies with the Oda clan

Meanwhile, the Takeda and Oda, aimed at controlling the Uesugi clan. After a failed diplomatic courtship, they started a war of words with the shogun Ashikaga Yoshiaki.
Shingen intensified the pressure against Tokugawa and in 1572 launched an attack on Tōtōmi which led to the capture of Futamata. The following January, Shingen returned to the province and attracted Tokugawa Ieyasu at the Battle of Mikatagahara. Conducted on January 6 north of Hamamatsu, it ended with an almost complete defeat for Ieyasu.

Although they were often presented as initial moves in a march on Kyoto, Shingen's intentions were undoubtedly more conservative. Probably, Takeda Shingen aimed to test the answers of both Ieyasu and Nobunaga and, if possible, inflict a defeat on the two. In any case, within a few days of winning the battle, he received the news that Asakura Yoshikage had chosen not to oppose to Nobunaga. Shingen was sorry and could count on Yoshikage to maintain the tension on Nobunaga. This may have played a part in his decision to return to Kai, thus granting a truce to the bloody Tokugawa.

The figure of Takeda Shingen

Shingen was a complicated figure, sometimes absolutely cruel. At the beginning of his life, he had forced Suwa Yorishige to commit suicide (or murdered him) after the two warlords had signed a peace treaty. He then took Suwa's daughter as a lover, ignoring the fact that she was technically his own niece.

Apparently, Shingen created Shingen Tsuba, (sword guard) also known as Takeda Tsuba. The story goes that while waiting for a battle to begin, Shingen wrapped the brass wire around a large iron sukashi to keep himself focused and able to think until the battle began. Because of this, many of his vassals followed Shingen's leadership throughout the Edo period.

He is also credited with inventing the toilet drain, bathroom hygiene, apparently, was important to Shingen. He also built the vast dams known as Shingen Zutsumi along the Kamanashi segments of the Fuji river. These walls prevented flooding and were one of the largest and most ambitious national public works initiatives of the sixteenth century.

The well-considered laws of Shingen were not considered particularly severe. He suspended corporal punishment for most minor crimes. In fact, he adopted a system of financial fines, which earned him the respect and praise of the peasants and citizens of the province of Kai.
It is interesting to note that Shingen also had two large iron cauldrons in which to boil criminals still alive. Tokugawa Ieyasu, thinking that the punishment was excessively cruel, destroyed the cauldrons years later.

His economic reform was also innovative at the time. Indeed, Takeda Shingen taxed most of its subjects uniformly and allowed them the option of payments in gold or rice.

Takeda Shingen had planned on the districts of Mikawa and Owari (now both Aichi Prefecture). In 1571 he entered the territories of the Okudaira clan (later Tokugawa) and captured the castle of Noda.
In 1573, he invaded Mikawa and again attacked the castle of Noda. However, this time, the fortifications of the castle had been strengthened, allowing it to stand for several weeks.

photo credits: wikimedia.org

The death

On May 13, 1573, towards the end of the siege, just before the defenders of Noda Castle capitulated, Takeda Shingen was shot by a marksman. Shingen died during the escape.

The death of Takeda Shingen at the age of 49 remained a secret. The remains of the gun that was used to shoot Shingen are kept in the Shitagahara Museum in Nagashino, Aichi Prefecture. His son and successor, Takeda Katsuyori, was defeated by Oda and Tokugawa in the early 1580s, thus ending the power of the Takeda family.

Instead of a poem of death, he left the following words, borrowed from Zen literature: "It is largely left to its natural bodily perfection, and has no special need to resort to artificial coloring and powder to look beautiful. "